Meet The Steppers: Oklahoma’s Jamgrass Outlaws

Some bands are stitched together in studios. Others are Frankensteined out of Craigslist ads and desperate tour stops. But The Steppers were built the right way. Through late-night jams, busted strings, inside jokes, and a mutual agreement to never take life or bluegrass too damn seriously.

Straight outta Pauls Valley, Oklahoma, The Steppers are Jake Tobey (guitar/vocals), Theran Lantz (mandolin/vocals), and Lawson Popejoy (bass/vocals), three friends who figured out long ago that music hits harder when it’s made by people who actually like each other. You can hear it in every note. There’s a looseness to their tightness. A swagger behind the sweet harmonies. They seem to know where the other is headed before the first note’s even plucked.

These boys grew up in it. It’s baked into their bones. Picking on porches, woodshedding tunes in barns, playing wherever someone would feed them and hand over a couple beers. That’s the foundation, and it shows. What they’ve built on top of it is something uniquely their own.

They call it jamgrass, but labels don’t do it justice. One minute they’re keeping it clean and traditional, and the next, they’re off in some cosmic breakdown that makes you wonder how the hell three acoustic instruments can sound that big. But it works. It works because it’s real.

The Steppers aren’t chained to Oklahoma, either. They’ve taken this high-octane, heart-driven acoustic storm on the road, hauling ass to Colorado, Arkansas, wherever the map leads. Breweries, barrooms, festival stages…you name it, they’ve probably played it or plan to soon. And they don’t phone it in. Ever. If you’re in the crowd, you’re in the damn band for the night.

That’s the secret sauce. It’s not just about being technically good (which, let’s be honest, they are). It’s about feeling it. They make sure you do, too. One minute you’re clapping along. The next, you’re shouting into the night like you just caught the Holy Ghost in a truckstop jam session.

The Steppers are a blast of good medicine to the soul. They’re interested in chasing the next connection. The kind of musical moment where you lock eyes with your friend mid-song and think, “Yep… this is it. Right here.”

Gritty. Joyful. Unpredictable in all the best ways. Three friends, one groove, and a whole lot of heart.

And that’s what makes ‘em dangerous. And necessary.